I have carded some of my Swedish Finewool sheep wool the last few weeks. It’s incredibly soft! I dyed it last summer, but haven’t had time to prepare it for spinning until now. The Swedish Finewool sheep is one of Sweden’s national breeds, developed from old Swedish fine woolled sheep with a little bit of help from Finnish landrace (aka Finnsheep aka Finn) rams and some Norwegian breeds at the beginning of the 20th century. It’s a rare breed nowadays, wish I shouldn’t have to use the word “rare” so often when I talk about sheep! I also carded what was left of a batch of Kainuu Grey wool. Yes, it’s a very rare sheep…
As always, I got tired of doing just one thing, so I still have all of the blue fleece to card. And I also got out of storing space! Carded wool can’t be pressed down into plastic bags just like that, it needs a lot of storing space. I hope you can see through the plastic bag how crimpy this wool is. It takes a lot of time and effort to tame it into spinnable rolags. I open it on the drum carder in 3-4 passes, and hand card into rolags. Spinning is pure joy! I spin the way I love the best: long draw on my Swedish Saxony.
I also finally finished two spindle shafts I made last year. I wasn’t satisfied with them, so I took my knife and sandpaper and made some improvements. They work fine now. The whorls are made by a Swedish ceramic artist and spinner, Lena Bergsman of Rostocks Keramik. You find her on Facebook.
We’re still waiting for spring. You may have heard of the Walpurgis Night, the celebration of spring here in Scandinavia and some other European countries. It’s supposed to be warm, sunny, green, and the spring flowers should be blooming. But not so this year! This is what we woke up to yesterday morning all over Scandinavia:
So we’re still waiting. Meanwhile, I give the birds some wool for their nests:
The last few days brought us a lot of snow just when we started to think it’s spring. Well, we should have a lot of snow this time of the year, and it’s usually quite cold.
It was cold this morning, -21 C°. No weather for outdoor activities until your hair is dry after the morning shower! So I took a photo of the morning sun indoors.
I have a carding job to do. That’s not easy in cold weather because the air indoors becomes very dry. The rolags cling to whatever they can. Your hands, the carders, the basket. I card in short passes and then wait for the static electricity to vanish.
The snow is beautiful, but it’s too cold for Kasper. He will be 13 years old this spring, and he can’t stand the cold as in younger days.
First I want to thank everybody for your kind get well wishes! I’m getting stronger with each day. I’ve even started spinning again!
So, let’s start with a post I had intended before I collapsed in Stockholm at the beginning of December: Boreray yarn. I was able to buy a fleece last spring. The fleece is rooed, as Boreray sheep loose their fleece naturally. Rooed wool is longer than it would be if sheared. The fleece I bought is very white with a few darker fibres. I still haven’t been able to spin the darker bits that I picked out, but I have stored them in my spinning room and not in the attic so there’s hope for spring!
The fleece was very clean, so I gently scoured the fleece only to remove some of the lanolin. The fibers have a lot of crimp, which makes it difficult to card if you leave all the lanolin and card without warming the fleece first. I find that a bit difficult, as you must also warm the rolags/batts before spinning, so I prefer scouring.
I split the batts lengthwise, predrafted, and spun with a woollen draw and very little twist. There was quite a lot of kemp, but most of it fell out during carding and spinning, even more in the finishing bath, and what’s left can either be left in the yarn or be picked out while knitting. I’m so pleased with this yarn!
A soft yarn for warm hats and mittens! I think I’ll try nalbinding also, even it’s a knitting yarn.
This is a beautiful, wonderful film from Portugal with English subtitle. Sheep, herding, wool prep, spinning, knitting, and fascinating sound.
I have two Portuguese spindles, but I’m still learning how to use this kind of spindle.
The antique spindle is too fragile for spinning, so it’s a decoration only. The spindle from Saber Fazer has hand carved grooves, and feels lovely in your hand. But oh how difficult it is for me to do the right movements! My old wrist and fingers don’t want to do this. I feel so clumsy. I also need a decent distaff, so this summer I’ll go out in the woods and try to find the right little tree or big bush so I can make me one.
Spinners must be the most generous group of people in the world! I want to show what’s been given me the last couple of weeks. Let’s start with mohair that Sanski Matikainen gave me. Sanski is a professional spinner, and she also teaches spinning and natural dyeing. She’s also very generous with advice on mohair, which a great joy for me.
This is a sample of mohair from a 14 year old goat named Birgitta. Soft and lustrous, and very white.
I washed it (remember, very hot water for mohair, otherwise the waxes won’t come out and it’ll be sticky and unpleasant to work with, and almost impossible to get clean later), and then browsed my stash to see what to blend it with for a sock yarn. I chose fawn Shetland top and white silk brick. Next step will be to gently card them together. There’s 14 grams of mohair, 14 Shetland, and 5 silk in each heap. I have four heaps altogether. I’ll add more wool to the blend, after advice from Sanski. Mohair is almost new to me, as I count the 4-5 times I’ve spun it only as an introduction.
Mohair (Angora) goats don’t go out very much in winter, because the damp weather isn’t good for their coats. Here Birgitta enjoys the nice sunny winter weather. All goat photos with courtesy of Sanski.
And after being to the hair stylist:
More of Sanski’s goats:
The second gift was some readily carded black Finn from Petra Gummerus. I spun a rather thin 2-ply. The two small skeins are bobbin leftovers from light brown and black Finn also from Petra. The yarns before washing:
May I present Weera, the black ewe who delivered her wonderfully soft and silky wool. Sheep photo courtesy of Petra.
She lives on Myllymäen Tila together with a herd of Finns with lovely fleeces in white, brown and black, gently cared for by her shepherdess and spinner Petra Gummerus. Petra spends hours skirting and removing double cuts and vegetable matter from the wool before she sends it to her buyers. She’s a gift to hand spinners!
The third gift is a rare wool. Härjedalsfår from Sweden isn’t a recognised breed. It’s a cross or mix of several breeds, where Norwegian Spaelsau seems to be dominant in this particular sample. There are only 5 flocks in Sweden, so there’s isn’t any chance they will be registered as a breed in the near future. But you have to start somewhere, don’t you? The sheep are double coated with a strong overcoat and a soft undercoat. Several breeds in Sweden have that kind of wool, among them Värmlandsfår, Dalapälsfår, Klövsjöfår, Roslagsfår. Thanks to Désirée, who sent me this! It’s still in the grease, but will be scoured very soon. I haven’t decided how to handle it. Separate the colours, separate the guard hair from the undercoat? Or just card everything together?
As you can see, I have some wonderful moments by the wheel ahead of me. I have to get it done soon, because it’s now definitely clear that I go to Shetland Wool Week in September. You who have been there, guess where I’ll go more than once? And what I’ll have to send home by mail, as it won’t fit into my baggage?
An odd thing happened when I was sick with the cold (or flu, whatever it was). Spinning made me cough! Weird.
But now I can spin again. Here’s what I’ve done the last few days:
Dog hair yarns! I also spun the red roving I showed in an earlier post. And the 3-ply barber pole is a yarn I don’t like very much, but I know it’ll be good in a weaving project. It’s unfinished in the photo.
The chiengora is my first dog hair yarn for many years. I used to earn part of my living by spinning chiengora for customers for some 15 years. I was so fed up with it for a long time, but now I wanted to see how my new drum carder would blend wool, Keeshond hair, and silk. It did it very well. Here I’m starting to blend opened (teased on the carder in one pass) Kainuu Grey wool with the dog hair + silk that has also gone through the carder once:
I used coloured silk in some of the batts, and spun three different yarns. Two skeins with thicker yarn, one thin with leftovers from a bobbin with merino (I think), and two skeins with my default yarn. I like them all!
There was pretty much debris in the wool and the dog hair! Some of the silk fell through, but that’s not a problem: shake it, and the debris falls out and you can use it.
After the successful carding of the rather long Keeshond hair, I wanted to try something I’ve been thinking of ever since Kasper came to live with us more than ten years ago. I’d like to spin his very short undercoat. So here we go: the 1,5-2,5 cm long Kasper hair on top, and some Kainuu Grey lamb locks underneath. I also added a little silk. Silk is magical in chiengora yarns. It binds the shorter fibers, and adds lustre to the yarn. I’m not afraid to use my scissors – I often cut silk tops into shorter lengths to make the blending and spinning short, tricky fibers easier.
Here’s a Kasper batt ready to be doffed off:
I haven’t spun the batts yet. As you can see, I haven’t blended the different shades of the Kainuu Grey thoroughly, as I like the heathered look very much. If I’d like an even colour, I’d card the wool separately in 2-3 passes before adding the evenly coloured Kasper hair. The undercoat from dogs is very fine and delicate, and it can’t be carded in more than 2-3 passes on the 72 tpi card cloth before it starts breaking and making pills.
So now I’m working through my not so small fiber stash. I’m opening fleeces in one pass. I’ll use most of those rovings for blending both for colour and structure later. It’s so much more fun to just start blending and not being forced to open the fleeces first! Here’s some light yellow Finn x Texel ready for blending or further carding as it is:
Yesterday my Christmas present from hubby arrived:
It’s a standard Classic Carder! 72 wpi, with options for replaceable drums of 48 and 120 if I’d need them one day. I started carding by blending short pinkish-red Norwegian Kvit Sau x Suffolk and long shrieking red Finn x Texel to see how fast the carder can blend them = very fast! I was happy to diz off a soft pencil roving in warm red after only a few passes. So satisfied! Love my husband 🙂 I also bought a porcupine quill for cleaning the drums. It works much better than I expected. It catches the fibers between the tines and lifts them up better than any other tool I’ve tried. My old electric Louet drum carder will soon move to a dear friend in Sweden. It’s served me well ever since the late 90s, but isn’t what I need now when I don’t spin for customers anymore.
This is my gift to myself: a beautiful spindle I found when browsing Etsy for a Turkish around 25 grams. It’s from Natural Knot Wood, a shop with many fine spindles. The arms are Chakte Viga, a new wood to me, and the shaft is Walnut. It spins fast, and as it fills up with yarn it also spins long, so it’s good for both spinning and plying. I continued the Corriedale project on this newcomer in my spindle stash. Yes, I do have a Turkish period!
A year has almost ended, once more. I’ve seen quite a lot of new years by now. This year has been so full of catastrophes and misery in many parts of the world (if not for me, my year has been extremely good), may the next be better! Here’s a window to 2016 from me to you: